Jonathan Schwartz Movies

Refers to Schwartz’s grandfather-in-law’s age during the making of the film–an anniversary celebrated with the gift of piloting a...

(Maybe) of finding neutral signs in a non-neutral place while tension sits, increases, is shared, builds, or possibly lessens–or maybe is...

The camera remains static to capture the accelerated movements, shot frame-by-frame, of ice skaters in a sunny winter morning. They are not portrayed...

Light painting and nature imagery are captured in 13 shots of different points of luminescence, on the 13th anniversary of Schwartz’s...

That fall it was not intentional to have a Galway Kinnell book on the table near where the caterpillar in the doorway, feeding on our offerings,...

It's an ironically dark response to its title. It pictures an oversaturated, white and blue stop motion animation of the double image of a man...

‘With a car from 1966-1977 and a manual for violence prevention, you drive. The distance is now your compass so follow the shadows to your...

A stark winter, children at play, and an elder in motion augment words - spoken and sung - of paternal ties and loss.

a certain worry enveloped in the covering of the ground, illuminated around a face, light on something ferocious, touch upon something gentle.

An experimental short by Jonathan Schwartz, which is part of the 33 1/3 series.