Saul Levine Movies

Super 8mm / color / silent / 18fps

Wild flowers, morning glories, an urban jungle an eden for a petite Tyger.

A film made by Marjorie Keller that document a successful struggle against welfare cuts by welfare clients, workers, and their allies.

Notes on chance, readymades, and time. Shot at Massart graduation 1997 and Boston 4th of July97. Some of the people appearing are Barbara Bosworth,...

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

A portrait of Nancy Golden, a summer evening and Nancy photographing rocks at Singing Beach. 16mm,18fps / Super 8mm, 18fps

A small apocalypse prophecy on the threshold of disaster world/home

A conversation with Pelle Lowe

Film Notebook Part 1 from 1975 is a beautiful collection of daily fragments which Keller shot from her life the way one would write in a journal. She...

Camera: Sylvia Gruner & Pelle Lowe

A portrait of a mother with her arms full in the backyard bathing her twin babies as the early spring light sings and dances. Later the father cooks...

Conceived, performed and edited by Saul Levine. Camera by Pelle Lowe. The title says it all. "A film in the old style." -- Bill Brand

A film made by Pelle Lowe and myself, Ready-Made is a single work in itself, and also exists as part of a series of works that Pelle and I made...

NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about'...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

"NOTES is a series I started in 1968. NOTE TO ERIK was the second one completed but the footage goes back to 1966 when I saw the footage I loved it...

Levine's grammar is set up to join media images without hiding the seams; media images of race and sex, love and violence, work and play, and...

Directed by Saul Levine.

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes...