Jeff Keen Movies

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

This bright animation cuts from interiors to exteriors and pushes pictures of Keen at different ages up against violent actions and symbols of...

A deliberately non-synchronous film, shot in 8mm with the sound on tape. Piero Heliczer reads his poem "The Autumn Feast," and the visuals interact...

The Pink Auto, screened using two projectors, is one of the very first examples of expanded cinema. Jeff Keen walks as a zombie and carry his dead...

This relatively unknown Jeff Keen film presents an insistent series of exquisitely composed action and animation sequences and must be one of the...

Made between 1970 and 1975, Jeff Keen's films always contain internal layers and films within films. The twenty-four films here include hand-painted...

Four minutes of heavily cut-up sound and vision with collage, animation and multiple exposures throughout.

Produced by Jeff Keen for looping in an exhibition context.

This compilation work uses Keen's drawing computer, screams and gunfire and proclaims ' enemy territory is outside the frame. Includes the titles...

Omozap is a gun-wielding wildman and Keen anti-superhero akin to The Punisher. Compulsive animation and action look to the Artwar films and videos to...

Made to represent an entire cinema programme, Meatdaze consists of six sections that include cartoons, supporting and main features.

This version of Artwar builds from performances with paper masks and implements and various sequences of gunfire.

Treating apocalyptic and aggressive imagery with silence and slow washes of colour, Jeff Keen exhibits and works against his usual tropes.

Jeff Keen thought that some of his previous films had been dominated by long-shots. In this film he grapples with the language of cinema, not as a...

The Artwar face peers through painted celluloid and a barrage of explosions and film noise.

Named after the horror film White Zombie and the rom-com Red Dust (both 1932), White Dust follows the friends and family of Keen while they explore...

Experimental short featuring motorbikes and animation. This is the second version of Jeff Keen's first film; that film became too worn.

Omozap is a gun-wielding wildman and Keen anti-superhero akin to The Punisher. Compulsive animation and action look to the Artwar films and videos to...

A documentation of Jeff Keen painting, using montage to turn a mild-mannered English painter into a Wild West gunslinger.