Jeff Keen Movies

Action and animation are pushed to the extreme in this frenetic film. Keen makes references to the God-like status of the director, the framed world...

This version of Artwar builds from performances with paper masks and implements and various sequences of gunfire.

Jeff Keen processes his cinematic past in this filmic attack on his back catalogue.

Named after the horror film White Zombie and the rom-com Red Dust (both 1932), White Dust follows the friends and family of Keen while they explore...

Comics, monsters and a zombified Keen are gently desecrated in this paint-flecked film that also features a picture of Jackie Keen crying...

A Super-8 portrait of Jeff Keen. This short but evocative experimental portrait melds Keen's style with that of its maker, Ian Helliwell, another...

Omozap is a gun-wielding wildman and Keen anti-superhero akin to The Punisher. Compulsive animation and action look to the Artwar films and videos to...

Jeff Keen dons paper masks and his knitted Artwar jacket, after avoiding bombs and pacing a moonlike landscape.

Jeff Keen's final film pushes his conflation of personal history and war even further than before.

Various different holiday locations ar joined together through the pleasures of ice cream in The Mutt & Jeff Icecream Sundae, while in Mothman the...

Breakout is an unfinished film and, unusually for Keen, contains a loose narrative. It presents the story of a young man hounded by a large pink...

Rayday Film was shown projected in several 100-foot length parts from multiple projectors. The friends and family who featured in costume and...

The Keen family go on holiday in the jungles of the English countryside while the mysterious Silver Head - Jeff Keen wearing an inside-out,...

From spinning paper guns to pulsing television screens, from zooms, crosscutting and painted film surfaces to burning paper, Jeff Keen uses all the...

Experimental animation created using a video pen.

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

A short, sharp, visceral attack on the news using, amongst other things, science fiction footage and scattered newspaper headlines.

The Artwar loops were made for non-cinematic exhibition and go from harsh film surface noise to colour bars and other video effects filmed from the...

America comes to Brighton as three beatniks hang out, listen to records and smoke before strange hats appear out of nowhere and a cartoon bubble...