Gary Hill Movies
- 1984
Why Do Things Get in a Muddle? (Come On Petunia)
Why Do Things Get in a Muddle? (Come On Petunia)01984HD
This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...
- 1966
Skaterdater
Skaterdater5.91966HD
The film tells a story with no dialogue. The group of boy skaters are suddenly at a point when one of the boys sees a young girl, and becomes...
- 1970
Pacifier
Pacifier01970HD
- 1978
Elements
Elements01978HD
One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...
- 1978
Mouthpiece
Mouthpiece01978HD
Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...
- 1980
Project Tesla
Project Tesla01980HD
This rarely screened film was used to raise funds for the making of Energy and How to Get It. High-energy physicist Robert Golka was granted a lease...
- 1980
Black/White/Text
Black/White/Text01980HD
Using the phenomenon of inverted (or negative) video feedback, this work constructs a one-to-one correspondence between recited text and image. Black...
- 1979
Objects with Destinations
Objects with Destinations01979HD
Objects from the artist’s studio (hammer, cathode ray tube, circuit board rack, chair, clip light) constitute the subjects for a series of...
- 1978
Windows
Windows01978HD
Silent or with minimal sound, Hill's early formalist works explore the manipulation of electronic color and image density through the camera obscura...
- 1979
Soundings
Soundings01979HD
Two color video cameras, two microphones, Dave Jones prototype modules (input amplifiers, variable soft/hard keyers, output amplifier,...
- 1990
Solstice d’Hiver
Solstice d’Hiver01990HD
Solstice d’Hiver was Hill’s last single-channel video before the recently completed Goats and Sheep and Blind Spot. The work was recorded...
- 1974
Air Raid
Air Raid01974HD
The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...
- 2003
Blind Spot
Blind Spot02003HD
Blind Spot constructs a space of living portraiture by “focusing time” on an exchange between the artist (the camera) and a man on the...
- 1980
Commentary
Commentary01980HD
“Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...
- 1977
Bits
Bits01977HD
Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...
- 1979
Resolution
Resolution01979HD
A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...
- 2011
The Psychedelic Gedankenexperiment
The Psychedelic Gedankenexperiment02011HD
The Psychedelic Gedankenexperiment is a declaration claiming the psychoactive event of lysergic acid diethylamide (LSD) as a "found performance" and...
- 1986
URA ARU
URA ARU01986HD
Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...
- 1985
Tale Enclosure
Tale Enclosure81985HD
Returning to the primal source of language, Hill explores the physical and subconscious origins of speech. In a continuous shot of a rhythmic,...
- 1976
Mirror Road
Mirror Road01976HD
In Mirror Road, Hill uses the camera and image processing devices to explore the malleability of electronic colors and image density. Amorphous...